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Gate for Visitors to the Palace is certainly awe-inspiring |
Istanbul, Turkey: Day 5
Our next foray meant a trip beyond the confines of
Sultanahmet. We set off on the tram,
an easy trip across the Golden Horn, to visit the very popular Dolmabache Palace. It seemed
that everyone else had the same idea – the ticket office queue was long &
the guided tour waiting list endless. At
least we made it in before the daily admittance limit had been reached. First stop was the Selamlik or ceremonial
rooms. Our English-speaking guide was professional
but fast – there would be no lingering on this tour. We were also not allowed to take photos
inside, so it was good to see security staff on the ball, picking up mobile
phone camera cheats.
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Imperial Gate & queue for Selamlik |
Dolmabache Palace, built in 1843-56, is opulent,
lavish, sumptuous and over-decorated. The
message to Europe at the time was most certainly clear – an Empire in need of a health check this
could not be. Smoke and mirrors! Still,
that did not stop them from spending grandly.
From the ornate clock tower gate, swan fountain, 4000kg chandeliers,
crystal staircases and swathes of silk and carpets, this was a grand design
indeed. The Paris Opera interior designers
were contracted no less!
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The Gardens & Swan Fountain |
The Harem was more in keeping with its status as
family rooms. We discovered that items
owned by men belonged to the state whereas a woman’s items were considered
personal property. Perhaps this accounts
for a less-showy Harem, although I’d be happy with one or two of the paintings,
a Chinese vase or a dinner set. The rooms occupied by Ataturk
before his death in 1938 were more humble. His message and legacy to the country and its people
is clear.
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Exterior of St Saviour Church, Chora |
Then it was off to
the country by taxi to visit the highly recommended St Saviour Church in Chora. Parts of this
11th c Byzantine building date pre-413 AD and in its own way makes
you realise what an achievement (in architectural terms) the Hagia Sophia was
in its day. However it was the frescoes
and mosaics (1315-21) we came to see. Here you are up close and personal with
some amazing Middle Age religious artworks, popular subjects at the time. These special gems include the Genealogy of
Christ, Life of the Virgin, Infancy of Christ and Christ’s ministry. It is easy
to understand the power and immediacy of the mosaics in a time when few could
read or write. The stories unfold
effortlessly.
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Anastasis Fresco |
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Christ Pantocrator (Genealogy) |
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